Friday, July 17, 2026

Enriching Education - Play Based Learning is the Secret to Kindergarten Readiness

 Original Post and Little Sunshine's Playhouse

Picture a four-year-old sitting at a kitchen table in the spring before kindergarten, working through a worksheet. Her parent sits beside her, pointing to letters, counting out numbers, running through flashcards. There is love in this scene. There is also anxiety. The quiet, persistent worry that kindergarten is coming and the window to prepare is closing fast.

This is one of the most common things parents of preschool-age children experience. And it makes complete sense. The pressure to ensure children are “ready” for kindergarten is real, and it starts earlier every year. Parents want to give their children every advantage. They want their child to walk into that kindergarten classroom confident and capable.

What research increasingly shows, however, is that the preparation most parents worry about (letter recognition, counting, writing their name) is only a small piece of what kindergarten readiness actually requires. And that the environments best equipped to build genuine readiness may look, at first glance, like they are simply letting children play. This is what a play based preschools look like, but there’s much more than meets the eye.

What Kindergarten Teachers Actually Want

When researchers ask kindergarten teachers what they most want children to arrive knowing, the answers are rarely about academic content. Study after study finds that teachers prioritize skills like the ability to follow multi-step directions, take turns, manage frustration, listen to a peer, persist through a difficult task, and approach something new with curiosity rather than shutdown.

These are not soft skills sitting alongside the real work of school. They are the foundation on which all academic learning is built. A child who cannot regulate their emotions when they make a mistake will struggle to learn from feedback. A child who cannot sustain attention on a task they find difficult will have a hard time with reading instruction regardless of how many letters they knew coming in. A child who has never had to negotiate with a peer, share a material, or recover from a disappointment will find the social landscape of kindergarten far more challenging than any phonics lesson.

The research on executive function—the cluster of cognitive skills that includes working memory, cognitive flexibility, and inhibitory control—consistently shows that these capacities are among the strongest predictors of academic success, not just in kindergarten, but across a child’s entire educational trajectory. And they are built, above all, through play.

How a Play Based Preschool Builds the Skills That Matter Most

A play based preschool is not a preschool without structure. It is a preschool with a different kind of structure, one designed around how children actually learn, rather than how adults are accustomed to teaching.

In a play based preschool environment, children are not passive recipients of instruction. They are active investigators. They build, negotiate, experiment, fail, try again, and make meaning through direct engagement with materials, ideas, and one another. This kind of learning is deeply effortful, even when it looks effortless from the outside.

Consider what is happening when a group of four-year-olds decides to build a bridge out of blocks. They are engaging in spatial reasoning and early engineering thinking. They are using language to communicate their ideas and respond to the ideas of others. They are managing the frustration of structures that collapse. They are holding a shared goal in mind while adapting their approach in real time. They are practicing exactly the executive function skills that will serve them in kindergarten and far beyond.

None of this requires a worksheet. All of it requires a well designed environment, a skilled educator, and the freedom to pursue an idea through to its conclusion.

Child Led Learning and the Development of Intrinsic Motivation

One of the most significant gifts a play based preschool can give a child is intrinsic motivation, the internal drive to pursue something because it is genuinely interesting, not because an adult has required it.

This matters enormously for kindergarten readiness because kindergarten, for all its structure, still asks children to sustain engagement over time, to care about getting something right, and to return to challenging work again and again. Children who have spent their preschool years in child led learning environments have had thousands of opportunities to practice exactly this. They know what it feels like to be absorbed in something. They have experience following a question somewhere and discovering that the discovery leads to another question.

Child led learning does not mean that educators step back and let children do whatever they want. It means that skilled teachers observe carefully, follow children’s interests, and design provocations that deepen inquiry rather than redirect it. The teacher in a child led learning environment is not less involved than in a traditional classroom. They are differently involved, and often more thoughtfully so.

Research supports this approach at every level. Children in child led learning environments demonstrate stronger language development, more flexible thinking, greater creativity, and more positive attitudes toward school than their peers in more didactic programs. These are not peripheral outcomes. They are the outcomes kindergarten teachers and elementary schools most want to see.

What This Looks Like in Practice

The gap between what parents expect preschool to look like and what a high-quality play based preschool actually looks like can be striking at first. A visitor to such a classroom might see children painting at easels, working in a sensory bin, building in a block corner, or sitting together in a small group deep in a conversation about something they noticed on the playground.

What that visitor might not immediately see is the learning. But it is there, in the vocabulary a child is acquiring as they describe what they are making, in the mathematical thinking embedded in sorting and building and measuring, in the social-emotional growth happening every time a child navigates a conflict or waits for a turn or tries something new.

The role of the educator in a play based preschool is to make that learning visible, to document it, name it, and deepen it. This is skilled, intentional work. And it produces children who are not just ready for kindergarten in the narrow academic sense, but genuinely prepared for the experience of being a learner.

The Conversation Worth Having Before You Enroll

If you are evaluating preschool programs for your child, one of the most useful questions you can ask is not “will my child learn their letters here?” Almost every preschool will say yes. A better question is: “What does learning look like in this classroom on an ordinary Tuesday afternoon?”

The answer will tell you a great deal. A play based preschool grounded in child led learning will be able to describe the investigations children are currently pursuing, the materials they are working with, and the questions that are alive in the classroom right now. The environment will tell its own story.

At Little Sunshine’s Playhouse, our Reggio Emilia-inspired approach is built on the belief that play is not the break from learning; it is how children learn best. We would love to show you what that looks like. Stop by at a school near you, take a tour, and see for yourself what kindergarten readiness can look like when it grows from the inside out.

 

Keep reading!

Smart Safety - The Silent Danger of Summer: Why Drowning Rarely Looks Like Drowning

Summer is a season of family vacations, backyard pool parties, lake trips, and afternoons at the beach. It is also one of the most dangerous times of year for children around water. While many parents believe they would recognize someone in distress, water safety advocate Melissa Hull says one of the biggest misconceptions about drowning is that it looks dramatic. In reality, drowning is often silent.

“There is rarely splashing, waving, or yelling for help,” said Melissa Hull, Certified Heart-Centered Grief & Bereavement Specialist, speaker, and author of “Dear Drew: Creating a Life Bigger Than Grief. “It can happen in seconds while adults are only a few feet away. Many tragedies occur because people simply don’t recognize what drowning actually looks like.”

Hull knows that reality firsthand. After losing her son to drowning, she dedicated her life to educating families about water safety and helping prevent other parents from experiencing the same unimaginable loss. Today, she works to raise awareness about the hidden dangers around pools, lakes, beaches, vacation destinations, and other recreational waterways.

One of the greatest risks is distraction. According to Hull, many drownings occur during family gatherings, pool parties, vacations, and celebrations when adults mistakenly believe someone else is watching the children. She encourages families to designate a dedicated “Water Watcher” whenever children are swimming. That person should focus solely on supervising children in or near the water without using a phone, socializing, reading, or becoming distracted by other activities.

Hull also emphasizes that swimming ability alone does not eliminate the risk of drowning. Even experienced swimmers can encounter fatigue, strong currents, underwater hazards, unexpected medical emergencies, or other situations that can quickly become life-threatening. Whether families are spending time at a neighborhood pool, a lake, a beach, a water park, or a resort, active, undistracted supervision remains the most effective way to prevent tragedy.

Summer Water Safety Tips

  • Assign one dedicated Water Watcher whenever children are in or near the water.
  • Never assume someone else is supervising.
  • Keep young children within arm’s reach around water.
  • Put phones and other distractions away while supervising children.
  • Use properly fitted U.S. Coast Guard approved life jackets in open water and while boating.
  • Learn CPR before an emergency occurs.
  • Remember that drowning is often silent and happens much faster than most people realize.
  • Designate the Water Watcher before anyone gets in the water—not after the fun has already started.
  • Avoid alcohol if you are responsible for supervising children around water.
  • Take toys out of the pool when swimming is over so children aren’t tempted to reach for them.
  • Check vacation rentals and hotels for self-latching gates, pool barriers, and emergency equipment before children head outside.
  • Bright-colored swimsuits, such as neon orange, pink, or yellow, are often easier to see underwater than blue, gray, or white swimsuits.
  • Teach children to ask permission before going near any body of water even if they know how to swim.
  • Empty kiddie pools, buckets, and other containers immediately after use. Even small amounts of standing water can pose a risk to young children.
  • Have a family “water safety plan” before arriving at the pool, lake, or beach so everyone knows who is supervising and what to do in an emergency.
  • If a child is missing, check the water first. Every second counts.
  • Don’t rely on flotation toys or inflatable arm bands as safety devices they are toys, not lifesaving equipment.

Hull hopes every family makes water safety part of every summer outing.

“Every parent deserves to bring their child home safely at the end of the day,” says Hull. “If my family’s story encourages even one person to stay present, assign a Water Watcher, or recognize that drowning rarely looks the way it’s portrayed in movies, then another family may be spared the heartbreak ours has experienced. That’s why I continue sharing our story.”

As families continue enjoying pools, lakes, beaches, water parks, and other waterways throughout the summer, Hull encourages parents, grandparents, caregivers, and anyone responsible for children around water to discuss supervision responsibilities before children enter the water and remain vigilant until everyone is safely out. She believes greater awareness, clear communication, and simple preventive measures can help prevent tragedies and ensure more families return home safely after a day spent in and around the water.

Hull is not only a grief expert, but she is also a guide for fully living after loss. Her work integrates meditation and spiritual connection, energy work and Reiki, somatic and grounding practices, emotional processing and mindset work, and Dr. David R. Hawkins’ Map of Consciousness. She focuses on helping people who have experienced loss to build a life that is bigger than grief by incorporating what actually helps people move forward with it. She is also a speaker who shares her story and what she’s learned about living a full life with grief. To get more information and access her free tools, visit her site at: https://www.melissahull.com/. Her book is available on Amazon, Barnes & Noble, Target, and other major retailers.

About Melissa Hull

Melissa Hull is an author, international speaker, award-winning humanitarian, and global voice in grief, healing, and personal transformation. She helps individuals navigate loss and rebuild lives rooted in purpose, meaning, and resilience, guiding them to live fully after loss. With over 20 years of experience, Hull combines lived insight with tools such as meditation and energy healing to support emotional restoration and growth. She is the author of Dear Drew: Creating a Life Bigger Than Grief and offers a range of resources through her platform, including a comprehensive online library, the Greater Than Grief self-study program, and a free gratitude journal. Her book is available on Amazon, Barnes & Noble, Target, and other major retailers. To get more information, visit the website at: https://www.melissahull.com/

Book Nook - Taking Laps

BERNARD BROWN IS MISSING. The unassuming college athlete prone to bouts of solitude becomes a regional news story when he disappears for four straight days. No one has seen or heard from him—not even the hodgepodge group of four that has become his closest circle of friends.

While the student body of the small town college gathers in a night vigil for Bernard, his four unlikely friends huddle in their routine study room—this time to process their fifth member’s absence and surmise his whereabouts. As the night darkens, their conversations deepen, revealing more of each male undergrad. Mike, the biggest and most bottled-up, has a heavy secret. Rico, the group’s enigmatic joker, has big notions—some metaphysical. Philip, an idealistic heartthrob, is aching from unrequited love. And Daniel, resentfully indignant, could use a hug. Taking Laps follows Bernard's day leading up to his disappearance and the soul-searching discussions of his friends four nights later. 

Aaron Axhoj Bond is the author of In Gray (BrickHouse Books, 2016). A graduate of the University of Virginia and the University of Illinois Urbana-Champaign, Bond lives with his wife and kids in Virginia.

Thursday, July 16, 2026

Fun Freetime - Survey: Bathrooms as an Escape

The bathroom has become more than just a functional space, it's increasingly serving as America's unofficial escape room.

 

A new survey from Midwest Plumbing finds that 64% of Americans intentionally spend extra time in the bathroom just to enjoy peace and quiet, while 61% spend extra time in the bathroom beyond what is necessary at least once a day.

 

  • On average, Americans spend 38 minutes in the bathroom every day
  • 39% admit to going to the bathroom to avoid other people (31% of men, 46% of women)
  • 84% of Americans bring their phone into the bathroom, spending an average of 9 minutes on their phone per bathroom visit

 

The survey also explores plumbing maintenance: 22% admit they have ignored a bathroom plumbing problem hoping it would go away.

 

Take a look at the full report for more insights

Shopping Savings - APRILSKIN

APRILSKIN, sister brand of medicube, known for its ingredient-focused skincare, clinically tested formulas and viral favorites like the Calendula Peel-Off Mask, is offering shoppers savings of up to 60% off during Amazon's Best Deal event from July 20–31.
 
The promotion will roll out in two phases and includes several of APRILSKIN's hero products, along with its rapidly growing TXA brightening collection that has recently gained strong editorial traction.

July 20-26 - Hero All Day Plumping Lip Stain (Natural Rose) at over 50% off, plus several soon-to-be-launched products
July 27-31 - dozens of products at 20-58% off

Music Minute - Leon III: Invisible Ink

Word of mouth, underground hype and a fiercely loyal following. That's been the story of Leon III (say it “Leon the Third”) so far. Armed with their fourth album Candy Cigarettes, and undeniable momentum, Leon III is ready for its biggest chapter yet.


Candy Cigarettes was recorded over two years with the primary Leon III touring ensemble, and was produced by Mark Nevers (Silver Jews, Bonnie ‘Prince’ Billy). The band weaves together a rich tapestry of psychedelic exploration, dark pedal steel-laced country and big, anthemic rock.

Leon III is fronted by Andy Stepanian, the creative force behind Howler Brothers, and Mason Brent, the band has quietly cultivated the same kind of authentic, grassroots devotion that transformed the Austin apparel brand into a cultural phenomenon. Like Howler Brothers, Leon III isn't chasing cultural relevance; it's earning it, one listener at a time.

The first sampling of Candy Cigarettes is “Invisible Ink,” out now on DSPs. “Invisible Ink” lumbers in with a slow and lazy groove that recalls JJ Cale. But, about 3/4 of the way through the track, it bursts into one of Leon III’s best-ever bridges with Stepanian crying “don’t break the needle, please don’t take my drugs away.” It’s an earworm and a moment ripe to be revisited.

Candy Cigarettes is full of discoverable moments and needles hidden in the haystack of its layered production. There’s a lot to find. But, there’s also an accessibility and plenty of big sing-along moments that make it perhaps Leon III’s most focused and cohesive effort to date.


About Leon III:
Someone once dubbed Leon III a “southern Pink Floyd.” That’s fair enough - mostly due to the fact that their albums are built for repeated, deep listens and sequenced to reveal themselves over time. But Brent’s lead guitar is more Jimmy Page than Gilmour, prone to unruly dissonance, feedback and, sometimes, unhinged shredding. And Stepanian’s songwriting is more personal, a jigsaw puzzle filled with rich turns of phrase touching on envy, faith, longing, rising up and crashing down.
Leon III’s sound has evolved and sharpened since their 2018 eponymous debut. The first three releases included a rotating cast of players including some megas from the indie world like William Tyler and Matt Pence (Centro-matic, Jason Isbell). But, Leon III has steadily solidified their recording and live show line up over the years and it shows.
This band knows each other well and the result is a spectrum of sound ranging from nuanced and quiet to mind mending. Although there’s psychedelia here, there’s no trace of the aimless wandering or mumbo jumbo sometimes associated with that genre. And, despite some country leanings here and there, the record eschews the cliches and well-worn paths of some of today’s Americana.


CONNECT WITH LEON III

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Parenting Pointers - How (and Why) to Embrace a Neurodiversity-Affirming Approach to Life



Katie Rose Pryal, JD, PhD

When I tell people that, in my writing coaching practice, I am neurodiversity-affirming (or “neuroaffirming” for short), I get some common questions:

What does neuroaffirming mean?
Do you only work with neurodivergent writers?
Can you tell me what neurodiversity even means…and how does a person affirm it?

These questions reveal why a neuroaffirming approach is so important in the first place: so many people do not understand what neurodiversity is and, because of this lack of understanding, they are not prepared to care for, teach, coach, or otherwise work with neurodivergent people—including children.

In my book Your Kid Belongs Here: An Insider’s Guide to Parenting Neurodiverse Children (Johns Hopkins 2025, yourkidbelongshere.com), I define “neurodiversity” as “normal variations in human neurological function, with an emphasis on normal.” For ease of understanding, I divide neurodiversity into three categories: developmental neurodivergences like ADHD and autism; mental illnesses like bipolar disorder and anxiety; and acquired mental disabilities like post-concussion syndrome and PTSD.

There are lots of normal human variations—just think of eye color and shoe size. When it comes to neurodiversity, however, instead of celebrating the differences, U.S. society penalizes them through discrimination. Neurodivergent kids, for example, frequently receive inadequate support in school. They are kicked off of sports teams. They are isolated and bullied.

Enter the neurodiversity-affirming approach.

A neuroaffirming approach takes into account a person's neurodivergence and how their brain functions differently from the neurotypical norm—but it does not penalize those differences.

Whether you’re talking about teaching in a classroom, coaching a kid’s soccer team, or even supervising in the workplace, a neuroaffirming approach avoids a one-size-fits-all mentality. Instead, it views neurodivergences as having both strengths and struggles, not just deficits. However, a neuroaffirming approach does not ignore the real impairments that neurodivergent people face. Instead, it takes into account how these real impairments might be made easier through accessibility and accommodations.

In short, a neuroaffirming approach celebrates our neurodiversity while still respecting a person’s struggles and providing assistance that is tailored to those struggles.

But neuroaffirming teachers, doctors, therapists, coaches, and so on can be hard to find. One barrier to finding neuroaffirming care is the history of poor treatment of neurodivergent people. U.S. and European society have a long history of eugenics and neurodiversity. Eugenics is a discredited science that tried to “improve” the human race by eliminating “undesirables” including neurodivergent people (e.g., via forced sterilization—or worse).

Twentieth-century eugenics casts a long shadow. For example, today, more research funding is spent on trying to cure neurodivergences such as autism than on helping make the lives of neurodivergent people better. Because of this past, today’s medical providers often believe that the best way to handle patients' neurodiversity is to ignore it, to fear it, or to punish it. Neurodiversity, in mainstream medical care, is an aggravation, not an intrinsic component of a patient's identity that also deserves care.

This approach of ignore/fear/punish bleeds over into all aspects of U.S. society. Neuroaffirming teachers, coaches, therapists and so on push back against these old misbeliefs, creating spaces where neurodivergent people can thrive.

At its most basic level, neuroaffirming simply means seeing neurodiversity as a normal thing and not a bad thing. It means seeing how the differences that neurodiversity brings actually improve our society.

So what can you do to bring a neuroaffirming approach into your life?

First, to find neuroaffirming medical care, start by simply asking a potential provider if their practice is, indeed, neurodiversity-affirming. While some providers might not (yet) know what the term means, many of them nevertheless do affirm neurodiversity. These providers will even be glad to have learned a new word if you teach it to them.

As an example, in my practice as a writing coach, I affirm the real struggles that being neurodivergent can cause a writer (procrastination, anyone?) and work on personalized strategies for that writer. After all, neurodivergent people are not monolithic in our challenges. I also help writers identify their strengths and learn to appreciate them. (Hyperfocus for the win!) After a lifetime of ableism, it can be hard to let go of negative beliefs about yourself. (Those negative beliefs are "internalized ableism.")

In the end, you and your family deserve to be surrounded by people who admire your differences rather than those who see you as a bother. The world needs the unique perspectives that you and your family bring.

Katie Rose Pryal, JD, PhD, is a Bipolar-AuDHD (Autistic+ADHD) writer and educator whose work focuses on neurodiversity. She is an award-winning author of more than 15 books, including Your Kid Belongs Here (Johns Hopkins 2025) and A Light In The Tower (Kansas 2024). Her literary memoir, An Autistic Girl’s Guide To Horses is coming in 2027 from West Virginia. A Pushcart-nominated essayist, she teaches in Drexel’s MFA in Creative Writing program. She lives in Chapel Hill, NC, with her spouse and children.

Money Matters - States with the Most People in Financial Distress

With 8.8 million Americans having at least one credit account that is either delinquent or in forbearance, the personal-finance company WalletHub today released its latest report on the States with the Most People in Financial Distress. The report highlights where financial hardship is most widespread across the country and provides insight into the challenges many Americans continue to face.
 
Most DistressedLeast Distressed
1. Kansas41. Idaho
2. Louisiana42. Illinois
3. Florida43. New Hampshire
4. Texas44. Washington
5. South Carolina45. Wisconsin
6. Wyoming46. Michigan
7. Georgia47. Vermont
8. California48. Hawaii
9. North Carolina49. Rhode Island
10. Kentucky50. Maine
 


“Measuring the share of residents in financial distress is a good way to take the pulse of a state and see whether people are generally thriving or having trouble making ends meet. When you combine data about people delaying payments with other metrics like bankruptcy filings and credit score changes, it paints a good picture of the overall economic trends of a state.” 

“Kansas is the state experiencing the most financial distress. In Q1 2026, Kansas had the 14th-most accounts per person in financial distress. Kansas also had the 20th-lowest credit score in the country, and some of the highest Google searches for “debt” and “loans”, which shows that many people are desperate to borrow, despite already owing money.”

- Chip Lupo, WalletHub Analyst  


More From WalletHub

Fun Freetime - Single Tickets On Sale for CTC's 2026-27 Season (MN)

 Children’s Theatre Company (CTC) is delighted to announce that single tickets for all 2026-2027 Season productions are now on sale at ChildrensTheatre.org.
 
The 2026-2027 Season will feature Pinocchio; two world premiere musicals, Twelve Kinds of Ice and Princess Kay of the Milky Way; the return of the beloved holiday tradition Dr. Seuss’s How the Grinch Stole Christmas!; the playful adaptation Chicka Chicka Boom Boom: The Musical; and the Broadway smash hit School of Rock The Musical, based on the popular film.
 
The 2026-2027 Season will also feature a new Discovery Series, including three exciting shows in limited engagements at CTC: Havana Hop, Mr. Messado's School of Magic for the Young and Young at Heart, and Joseph Kekuku and the Voice of the Steel Guitar.
 
"This season at Children’s Theatre Company is about becoming—about the moment when a young person realizes they have agency in shaping who they are and how they move through the world," said CTC Artistic Director Rick Dildine. "Across beloved stories, bold new work, and music-driven theatrical events, we’re inviting audiences to experience joy, grapple with big emotions, and see themselves reflected onstage. As a company, we’re proud to be part of a national conversation about what theatre for young people can be, and this season reflects our ongoing commitment to developing new work while honoring the stories that have shaped generations."
 
The season begins with Pinocchio, a classic tale built before your eyes. Using only the tools of their trade—paint brushes, scaffolding, wallpaper rolls—five theatre painters inventively stage a spontaneous retelling of Pinocchio’s quest to become a “real boy.” Get real answers to burning questions, like: How do he and Geppetto end up inside a whale? Will the good fairy actually fly? And what’s up with Pinocchio’s nose anyway? Discover the truth, amidst a few lies, in this music-filled play where Pinocchio learns empathy and accountability, things that truly bring a person to life. Adapted and directed by Greg Banks, Pinocchio runs September 8-October 18, 2026, on the UnitedHealth Group Stage. This production is recommended for ages 5 to 10.
 
Next, the world premiere musical Twelve Kinds of Ice takes the stage at CTC. Glide through the ever-shifting magic of winter as Ellen recalls childhood memories of icy adventures with her loving father. In this world premiere musical, cold temperatures and warm hearts unite to tell a tender story that takes us from spotting the first glaze of ice to building an ice rink and hosting skating shows, hockey games, and moonlit solos. Watch in awe as ice freezes before your very eyes, then melts your heart. Directed by CTC Artistic Director Rick Dildine, Twelve Kinds of Ice features book, music, and lyrics by Ben Steinfeld. Twelve Kinds of Ice runs October 13-November 22, 2026, on the Cargill Stage, and is best for ages 10 and up.
 
Up next, CTC’s beloved holiday tradition Dr. Seuss’s How the Grinch Stole Christmas! returns after last year’s sold-out run. In this hit musical spectacular, the grumpy green Grinch hatches a plan to steal Christmas from the cheerful Whos of Whoville—snatching trees, swiping stockings, and sneaking away with every last present. But when one small voice and a spark of holiday spirit shine through, the Grinch begins to discover the true meaning of Christmas. Filled with music, mischief, and Seussian charm, this joyful production sparkles with laughs, warmth, and a little holiday magic your family will love. Directed by CTC Acting Company member Dean Holt, Dr. Seuss’s How the Grinch Stole Christmas! runs November 3, 2026-January 3, 2027, on the UnitedHealth Group Stage. This production is best enjoyed by ages 5 and up.
 
The new year begins with Chicka Chicka Boom Boom: The Musical, a playful adaptation of every kid’s favorite alphabet book! From adventurous A, B, and C to the lonely balladeer Z, little letters take on big personalities as they’re puppeteered up the coconut tree to a mixtape of musical styles. And look who’s coming—LMNOP, an inseparable boy band with a chart-topping bop! Sing, dance, and skit skat skoodle doot in this joyful celebration of music and literacy—perfect for younger audiences and their families, with plenty of chances to clap and join the fun. Written and directed by Nina Meehan, with music and lyrics by Austin Zumbro, Chicka Chicka Boom Boom: The Musical runs January 12-February 7, 2027, on the UnitedHealth Group Stage. This show is recommended for ages 4 to 7.
 
Next is the world premiere musical, Princess Kay of the Milky Way. Who will be crowned dairy queen in 1980? Find out in this world premiere musical celebrating Minnesota’s state fair. Join the Berglund family as they navigate farm chores, Mom’s frozen butterhead, and teenage aspirations ranging from 4H contests and country music stardom to adventures in outer space (wait, what?). Experience the crowds, the foods, and a plot-turning ride on the Space Tower. The Petersons, Petersens, and Peterssens will all be there, plus a mysterious visitor who drinks un unbelievable amount of milk at the fair. Oh yeah, you betcha! Directed by Addie Gorlin-Han, Princess Kay of the Milky Way features book, music, and lyrics by Christopher Anselmo and Jared Corak. Princess Kay of the Milky Way runs February 23-April 4, 2027, on the UnitedHealth Group Stage, and is best for ages 7 and up.
 
The 2026-2027 Season concludes with School of Rock The Musical. Based on the hit movie, the Broadway musical School of Rock is a high-voltage musical comedy about finding your voice. When struggling rocker Dewey Finn poses as a substitute teacher at a prestigious prep school, he transforms a class of straight-A students into a guitar-shredding, bass-slapping rock band with roof-raising energy. What begins as a wild plan to win a cash prize becomes an unforgettable journey of confidence, creativity, and rock ’n’ roll. With an electrifying score and infectious spirit, this feel-good hit celebrates music, individuality, and staying true to yourself. Based on the Paramount movie by Mike White, School of Rock The Musical will be directed by CTC Artistic Director Rick Dildine, and features book by Julia Fellowes, lyrics by Glenn Slater, and new music by Andrew Lloyd Webber. School of Rock The Musical runs May 4-June 27, 2027, on the UnitedHealth Group Stage, and is best for ages 10 and up.

CTC is pleased to introduce the Discovery Series for 2026-2027—limited engagement performances that transform CTC’s Cargill Stage into a portal for culturally vibrant storytelling, where every production invites audiences to experience the world through fresh eyes.
 
In Havana Hop, Young Yeila dreams of being a superstar, but her stage fright keeps getting in the way. When she visits her grandmother in Cuba, she discovers a whole new rhythm—adding a salsa spark to her hip-hop style. In this lively, audience-participation play, one dynamic actress brings three generations of spirited women to life. As Yeila learns about her roots, she finds the confidence to shine. Filled with music, movement, and plenty of chances to dance along, this joyful story celebrates culture, family, and the power of believing in yourself. Directed by Danielle Drake, Havana Hop is written, choreographed, and performed by Paige Hernandez. Havana Hop features original music by Nick “Nick tha 1da” Hernandez and Kris Funn, and will run January 22-31, 2027, on the Cargill Stage. Havana Hop is best for ages 2 to 6.
 
Up next is Mr. Messado's School of Magic for the Young and Young at Heart. Prepare to be amazed as the wildly entertaining Mr. Messado dazzles audiences with astonishing tricks, clean comedy, and plenty of surprises. In this interactive spectacle, you’ll shout the magic words from your seat—or even join him on stage as a magical assistant! Inspired by childhood dreams sparked by legends like David Copperfield, this hilarious and heartfelt show blends storytelling, mischief, and a few life lessons into a joyful, unforgettable experience. Created and performed by Joshua Messado, Mr. Messado's School of Magic will run March 12-21, 2027, on the Cargill Stage. This show is best for ages 5 to 12.
 
The Discovery Series concludes with Joseph Kekuku and the Voice of the Steel Guitar. In the late 1800s, a young Native Hawaiian student named Joseph Kekuku made a discovery that would change music forever. Sliding a piece of steel across his guitar strings, he unlocked a brand-new sound. From Hawai‘i to stages around the world, Joseph’s “Hawaiian sound” inspired generations of musicians and helped shape blues, country, and rock and roll. Featuring thrilling live Hawaiian slide guitar, stunning projections, and a powerful true story, Joseph Kekuku and the Voice of the Steel Guitar celebrates curiosity, innovation, and the global journey of a sound that began with one young inventor’s spark of discovery. Directed by Eric Johnson, Joseph Kekuku and the Voice of the Steel Guitar is by Moses Goods in collaboration with Kealakai Center for Pacific Strings. Joseph Kekuku and the Voice of the Steel Guitar will run from May 14-23, 2027, on the Cargill Stage, and is best for ages 7 and up.
 
Subscriptions to the 2026-2027 Season are still available and can be purchased online at https://childrenstheatre.org/shows-and-tickets/subscribe-and-save/ or by calling the ticket office at 612.874.0400.
 
5-Play Full Season Subscriptions range from $171-$270 for adults and $131-$234 for children. 5-Play Preview Subscriptions (the first Tuesday, Wednesday, and Thursday before Friday’s Opening Night) are $150 for adults and $100 for children. Dr. Seuss's How the Grinch Stole Christmas! can be added on to any 5-Play subscription for $25-$81 ($15-$60 for Previews.)
 
Havana Hop, Mr. Messado's School of Magic for the Young and Young at Heart, and Joseph Kekuku and the Voice of the Steel Guitar can be added on to any 5-Play subscription for $25-$65.
 
Full Season Subscription prices reflect a 25% discount off of the lowest ticket price—one of the benefits of subscription at CTC.
 
CTC’s 2026-2027 Season of artistic and educational programming is supported by The Shubert Foundation, Inc. and the Minnesota State Arts Board.

 
Children’s Theatre Company (CTC) is the nation’s largest and most acclaimed theatre for young people and serves a multigenerational audience. It creates theatre experiences that educate, challenge, and inspire more than 200,000 people annually. CTC is the only theatre focused on young audiences to win the Special Tony Award for Outstanding Regional Theatre and is the only theatre in Minnesota to receive three Tony nominations (for its production of A Year With Frog and Toad). CTC is committed to creating world-class productions at the highest level and to developing new works, more than 200 to date, dramatically changing the canon of work for young audiences.
 
CTC is the most significant provider of theatre education opportunities in the region. Every year, thousands of children experience theatre for the first time at CTC. Our student matinees and education programs demonstrably benefit the community, from the intergenerational conversations sparked by our world premieres, to the sequential skill-building that happens in our Theatre Arts Training, to the pre-K focus of our Early Childhood Initiative. ACT One is CTC’s comprehensive platform for access, diversity, and inclusion in our audiences, programs, staff, and board that strives to ensure the theatre is a home for all people, all families, reflective of our community. childrenstheatre.org 

Book Nook - Animal Adventures: Day in the Bay

Families can now bring the magic of the seashore home with Animal Adventures: Day in the Bay, by Fiona Craig, a vibrant new book from The Collective Book Studio that introduces young readers to the creatures of the coast. This beautifully crafted board book features 24 full-color photographs of coastal animals in their natural habitats. Its sturdy matte-laminated pages with spot gloss details are designed for tiny hands and endless re-reads—whether at home, in the classroom, or by the water’s edge



 

From sunrise to sunset, young readers get to follow crabs, seagulls, seals, and other beach-dwelling friends as they go about their daily routines, captured through stunning, real-life photography and gentle rhyming text. As children follow each animal’s journey from morning to night, they’ll begin to learn about time, daily activities, and the beauty of the natural world, all while strengthening early language and observation skills.

 

“The beach has a natural rhythm that mirrors a child’s day—waking up, exploring, playing, resting,” says Craig. “I wrote this book to invite families to slow down and notice those moments of wonder together.”

 

Whether planning your next trip to the coast or simply bringing the magic of the sea home, Animal Adventures: Day in the Bay makes every day a little more wild and wonderful.

 

Raised in the wild beauty of New Zealand's Eyre Mountains, Fiona Craig has a deep reverence for nature, its quiet wisdom in rhythms, the land, and all its creatures. She lives with her spirited daughter, a mischievous cat, and a lush jungle of houseplants.


 

The Collective Book Studio is a woman-owned, full-service publishing studio that works with authors, brands, and companies to create, develop, and publish high-quality books. With a focus on innovative content and striking design, The Collective Book Studio offers a unique approach to the publishing process, providing clients with expertise and collaborative support from concept to creation.

 

The Collective Book Studio, based in Oakland, CA, publishes high-quality lifestyle, gift, and children’s books. Their books are distributed by Simon & Schuster, a global leader in general interest publishing, dedicated to providing the best in fiction and nonfiction for readers of all ages. For more information, visit www.simonandschuster.com