Tuesday, February 17, 2026

Parenting Pointers - Tips for Enjoying a Stress-Free ‘Break’ for Children & Parents

 You’ve barely packed away the last of the fairy lights and wrestled with the glut of bloated January bills and, just as you come up for air, half term or spring break. Really, so soon?! BACP counsellor Margaret Ward-Martin, founder of The Grace Project, looks at how to make the most of the school ‘break’ for both parents and children.

For some the break means slower mornings, less pressure and marginally less chaos whilst for others, it’s a time of increased stress trying to ensure safe childcare and finding money they don’t have or panic at the hours to be filled when they’re running on empty. We can love our children and be decent humans and still find the prospect of hypervigilance at the boundless energy, the sibling stand-offs, and shrieks that shreds nerves, less than appealing.

It’s important to recognize the stress parenting can put on relationships, so work out your own exit strategy an aagree a plan – one example might be to not to argue in front of the children then stick to it. Shouting profoundly affects the nervous system of children so is best avoided.

It’s a mammoth task explaining to children that YouTube families who throw flour around the kitchen and giggle at the cute, sugar-coated dog – ARE NOT REAL. These people get paid and they will use the money to get others to clean up the industrial scale mess!

If any or all of this resonates with you, here are a few suggestions on how to manage the school break:

  • Free stuff: The library is a great place to start. You will find out about free events and workshops for children in your local area. Local community hubs and religious/church organizations can be extremely supportive and may signpost you to more help. 

  • Meal deals: What’s not to love? Add a bus or train ride, a walk, a playground visit or soft play and you have a low-cost day out. 

  • Honesty: Children often understand more than we credit them with. Why not tell them as it is in age-appropriate language? If money is tight tell them how upset or frustrated or whatever name you want to give your feelings about not being able to give them what they want and offer them an alternative you can manage (eg.movie night together). Your children will appreciate your calmness. If not in that moment, they will one day. If you are co-parenting, stressors may be amplified. It’s important, therefore, to focus on your own wellbeing despite provocation, additional frustration, and any emotional pain that this may cause. In these moments steadiness is required and whilst you may want to shout out your suffering, please try not to. Being demanding is a child’s job. As is giving you moments of comic relief. 

  • Get out: Just out – anywhere. We are less likely to blow a gasket in public. This may be the worst reason to give but it’s an honest offering. With an audience, a camera or witness, we are more likely to behave ourselves. Being in public may help us to moderate our behaviour but moving is also good for stress relief and we may feel less lonely. Find a museum, park or shopping centre and just move. During school big shopping centres and other attractions often provide children friendly activities and extended hours. 

  • Work out what’s yours: It’s usually when we have children that we think about how we were raised. You have the chance to make your child feel safe and loved and if this wasn’t your experience you may have work to do. Now’s that time.

  • Don’t take yourself too seriously: If the children are being particularly annoying and kicking each other under the table or laughing so much that they break wind – join in (not the kicking part or even the wind bit), listen to them, have a laugh and let stuff go. It really doesn’t matter if there’s tomato sauce on the door handle or a spilt milk smell. It’s not ideal but not worth losing your rag over. It’s not. Let it go.

  • Screen time: Limit screen time. Yours – not your offspring’s. I’m not going to bog you down with more – far too late – lectures, on the dangers of online worlds – that ship’s long sailed. Keep it simple. Put away your phone and ask your child to do the same. Protect that time.

  • Ask for help: If you need support, ask, and commend yourself for being brave enough to do so. Ask your health visitor or GP; libraries are brilliant starting points; ask the nursery or school for activity camps or group outings they know of. If you have family or friends, ask them for a couple of hours of help. That is, of course, if this is not an additional stressor. 

Margaret comments: “Shortly after I had my first child, I sought help from a “parenting expert.” They gave me a book. A book? I didn’t need a book; I needed a bath and matching socks. I needed reassurance. You probably need some reassurance. Parenting is the hardest job in the world and for some reason, as old as time, we think we should know how to parent. There is a whole industry profiting from the sense of inadequacy that comes with parenthood. The punitive messaging “not walking yet?”: “you really should be doing (a/b/c) by now;” “Really? I love baby yoga!”  

Try to mute the “shoulds” and focus on doing your best, even if those around you think you can do better. Do you and the best you can do in the circumstances you are living through. Not less than best but your best as if you had a six-figure salary, company car, expense account and 24-hour staff support. Parenting is hard work and all parents get one chance so get fit for the job; eat to keep yourself well, hydrate and rest as much as possible. It’s a marathon not a sprint. 

This year during break, lean in, be exhausted and be honest. Ask your children to show respect and be kind to you and each other and to give you a break. Tell them when you’ve had enough and have a sit down, maybe in another room if they are old enough or ask another adult, if possible, to sit with them. When you get it wrong, say “sorry”. Model taking responsibility for your actions. Your children will get it. They will learn this important skill.

In these moments look at your children, knowing it’s not going to last. This time will pass. Please don’t waste these important years. Have some fun.

Take a breath in angry moments and ask yourself - is what I want to say worth the hurt it might cause? I suggest – no. And before you know it these little energy balls and sullen teens will be grown up, bags packed for somewhere across an ocean, college, university, to start their own family or perhaps, work. And you will be left asking – so soon?


Monday, February 16, 2026

Book Nook - Good Daughtering: The Work You’ve Always Done, the Credit You’ve Never Gotten, and How to Finally Feel Like Enough

 Imagine a world where the invisible labor of adult daughters is finally seen, valued, and celebrated. Written by communication expert Allison M. Alford, PhD, her new book, GOOD DAUGHTERING: The Work You’ve Always Done, the Credit You’ve Never Gotten, and How to Finally Feel Like Enough (On Sale: February  17, 2026), shines a light on the emotional, mental, and relational labor that sustains families, and offers women the groundbreaking tools to reclaim their agency, redefine their roles, and create healthier, more fulfilling family connections. 

For far too long, the work of daughters has gone unnoticed. They call, they plan, they soothe, they hold families together—and yet, they often go to sleep each night wondering if it’s enough. Allison’s ten years of research and hundreds of interviews finally reveal a truth that’s been hiding in plain sight: daughtering is hard work and it’s time we had the language to talk about it.

 

GOOD DAUGHTERING is a compassionate and transformative guide for women navigating the “messy middle” of family dynamics. Packed with practical tools like checklists, writing prompts, and scripts for difficult conversations, this book empowers daughters to set boundaries, improve communication, and manage their emotional resources. Allison also introduces innovative strategies and provides actionable advice to help women balance their roles without losing themselves.

 

But frankly, this isn’t just a book about personal growth—it’s a cultural call to action. Conversations around the #eldestdaughter phenomenon are gaining momentum on social media and GOOD DAUGHTERING is poised to become a cornerstone of this cultural shift. By validating the feelings of burnout, frustration, and resentment that often accompany the role of daughtering, Allison connects individual experiences to a broader societal conversation about gender, family, and invisible labor. She challenges readers to see daughtering not as a burden, but as an active performance they can shape, empowering them to demand the gratitude and balance they deserve.


I had a chance to interview Allison to learn more.

 How would you describe the “work” of good daughtering that often goes unseen in families?

Good daughtering is the quiet, behind-the-scenes work many women do in their family without realizing it counts as work at all. It’s remembering everything, worrying ahead of time, smoothing things over, and being the emotional “go-to” in your family. It’s the phone calls and event planning, and preventing arguments over stuff that would make everyone upset. It’s the mental load of checking in, anticipating needs, keeping relationships running, and carrying feelings that aren’t even yours. Most of this doesn’t show up on a to-do list, but it takes real time and energy. And more adult daughters are doing this work while also juggling their careers, partners, and kids. That’s why so many moms feel tired even when they’re not “doing” anything obvious. They’re doing emotional work that no one else sees. While you might have heard of the mental and emotional load where it comes to marriage, motherhood, and your own household, many women are unaware of how much they give to their extended families, too. 


What’s one piece of practical advice readers might be nervous to try?

Try saying a small boundary out loud. Even if it’s just to yourself at first. Think of something you don’t want to do anymore and then say out loud that you are going to stop doing it. It’s like a verbal commitment to yourself. Many women worry that setting limits with a parent will seem selfish or unkind. But you can start by practicing the words in your own space. Maybe say to out loud in your closet something like: “I can help this weekend, Dad, but not during the week.” While it may feel a little silly talking to an empty room, saying your decision out loud helps your brain believe it’s allowed. You don’t have to be dramatic about it or get the words perfectly right, but speaking them will create the boundary into existence. Small, clear boundaries are one of the best ways to protect your energy, especially when so much of it is already going toward caring for young kids.


What’s the biggest shift you hope readers make in how they think about being a daughter?

I want women to understand that being a “good daughter” does not mean always putting themselves last.

So many women learn early in life that love equals sacrifice. And while that can be true some of the time, it’s not a sustainable paradigm to go through a long life with. Especially when you’re raising kids, you see that mindset becomes exhausting fast. Instead, think of it this way: You can care deeply about your parents and care about yourself. Being a good daughter doesn’t mean doing everything, fixing everything, or carrying everything. This small but important shift is realizing that your worth isn’t measured by how much you give. Healthy daughtering includes limits, rest, and recognizing that you matter too—not just as a mom, but as a person. 


Dr. Allison Alford is a clinical associate professor in the Department of Information Systems and Business Analytics. She holds a PhD in Communication Studies with a concentration in Interpersonal Communication from The University of Texas at Austin. Alford has 20 years’ experience teaching university courses and her specialties are value propositions, conflict resolution techniques, teamwork, meeting facilitation and people-skills for leaders. Alford is active in the Association for Business Communication and National Communication Association.


Alford owns and operates the coaching and consulting firm, Good Talk Communication Consulting. As a communication coach, Alford has worked with professionals and MBA students in the fields of engineering, tech, publishing, human resources, sales, finance and more. She believes anyone can improve their communication skills with effort and energy.


Alford’s research and publications are focused on the topics of women, adult daughtering, work-family balance, and invisible labor. 


You can check out more of Allison’s content on her Instagram, as well as her essay for Oprah Daily about how daughters can successfully survive the holidays: https://www.oprahdaily.com/life/relationships-love/a69529084/adult-daughter-holiday-stress/


MORE ONLINE:

Daughtering 101 website

Instagram

TikTok

Facebook

LinkedIn

Substack

Psychology Today


 

Book Nook - The Countess and the Nazis

 The Countess and the Nazis, published by Lyons Press, is set for release on February 18, 2025. This extraordinary biography tells the story of Muriel White Seherr-Thoss—a Gilded Age American heiress who transformed her privilege into a weapon against tyranny, ultimately becoming a fierce Nazi resistance fighter.

Richard Jay Hutto draws on never-before-published memoirs and declassified CIA documents to resurrect Muriel’s incredible journey. As the daughter of a revered American diplomat and wife to a Prussian count, Muriel moved seamlessly among Europe’s elite until the specter of Nazism cast its long shadow. Faced with unspeakable evil, she leveraged her aristocratic connections to secure escape routes for Jewish families, mentored emerging royalty like the future Queen Geraldine of Albania, and ultimately sacrificed everything to protect her children from Hitler’s regime.

You can learn more in this interview.

What drove wealthy American women like Muriel to seek marriages with European aristocrats, and how did their families justify spending vast fortunes to secure these alliances?

 

New money in New York City and in other industrial U.S. cities – considered “tainted” -  was not accepted by the old guard and social elite. Very often the ambitious wives, finding the doors closed to them in the U.S., would take their daughters abroad where so many titled young men were in desperate need of cash to replenish their family coffers and maintain large and expensive homes. There were a few “love matches” but most of these marriages were merely exchanges of money for titles. Muriel’s marriage fell outside the usual formula as her socially prestigious family, while also wealthy, did not have the resources of the Astors and Vanderbilts (although Muriel’s step-mother was a granddaughter of Commodore Vanderbilt). Muriel, however, was worldly, attractive, well-read and articulate in several languages. Those assets opened doors to her that would have been closed to many of her colleagues. In the end, her fortune did, indeed, pay for the complete renovation of two of her husband’s family castles and the payment for their servants.

 

Why did many aristocratic and wealthy Germans support Hitler, and how did these political leanings impact personal loyalties and relationships within high society?

 

When the monarchy and titled nobility in German were abolished as legally defined classes in 1918 and 1919, triggered by Germany’s defeat in World War I, many aristocratic Germans merely wanted to find a way to return to their old privileged ways of life. Many believed that Hitler, with his retinue of titled staff and supporters, would re-introduce the aristocracy and return to them their privileges. He was very clever at making them believe their assumption and most thought that the Kaiser’s son would be placed upon his father’s throne.

 

How did institutional decisions—such as the Catholic Church denying Muriel a second Protestant ceremony—and the loss of wealth among American expatriates affect her ability to navigate these turbulent times?

Muriel’s husband’s family was greatly diminished by Germany’s defeat in World War I. Her father, while U.S. Ambassador to Italy, had angered the conservative wing of the Catholic church and they made sure his daughter was allowed only one marriage service and that one would be Catholic. While embarrassing, that 1909 incident did not cause lasting harm to her prestige. However, once her husband’s family was greatly dispossessed of their privileges in 1919, her new name and family were no longer advantageous outside their narrowing milieu of friends and acquaintances. Once her income was cut off by the U.S. Congress, who took away access to the fortunes of American wives of foreigners who had been at war with the U.S., she was placed in an impossible position of feeding, clothing, and housing not only her husband’s family but all their servants as well. She made a valiant effort to do so while making sure she did everything she could for many others, most of whom were barely known to her. If the German government had not confiscated her newly-reissued American passport (and even the knowledge that it had been received) two years before her death, she should have been free to leave Germany at any time, joining her three children and their families in the U.S.


About the Author:

Richard Jay Hutto served as White House Appointments Secretary to the Carter family and was chairman of the Georgia Council for the Arts. One of the foremost historians of the Gilded Age, he is the author of Crowning Glory: American Wives of Princes and Dukes, and Their Gilded Cage: The Jekyll Island Club Members. A frequent international lecturer, his book A Peculiar Tribe of People: Murder and Madness in the Heart of Georgia was adapted for television—the Atlanta Journal-Constitution described it as “a southern grotesque that comes complete with stately mansions, murder most vile, forbidden sex, a pot-boiling trial and a denouement worthy of a Greek tragedy [with] an ending that even Sophocles wouldn't wish on his worst enemy” (November 3, 2010). He is also a regular contributor to Royalty Digest Quarterly. Check out Rick's website @ www.rickhutto.com and the book site at www.TheCountess.net - You can also get social with Rick on Facebook.

Music Minute - Two New Songs from Joanna Bronson

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 Canadian country-folk artist Joanna Bronson steps into the spotlight with two stirring singles that capture the emotional landscape of small-town life and love. "Highway 28," and "Norwood," both out now, mark the arrival of a songwriter whose voice feels both timeless and deeply personal. These tracks offer the first glimpse into Bronson's forthcoming debut album ‘Highway 28,’ slated for release in March 2026, a collection that serves as an intimate love letter to her hometown and the roads that shaped her.

Recorded with acclaimed East Coast musician and producer J.P. Cormier in his studio outside Halifax, the album showcases Bronson's gift for emotional honesty and grounded, roots-driven storytelling. Cormier—a lifelong musical hero of Bronson's—played all additional instruments, and handled the mixing and mastering, building a sonic world around songs Bronson recorded exactly as she wrote them: just her voice, her guitar, and the stories she needed to tell. The collaboration represents a significant milestone in Bronson's artistic development, with the result being a record that sounds the way these songs were always meant to be heard - warm, intimate, and achingly real.

"At its core, this record is a love letter to my hometown," Bronson reflects. "Every song began with something real - a feeling, a conversation, or a moment that actually happened." The album explores acceptance, memory, and the quiet wondering of what might have been, written from the perspective of time and distance when the heart has had space to heal and reflect, beautifully portrayed in the title track “Highway 28".  Holding both reflection and a wishing-well curiosity for the life that almost was. "Norwood" takes listeners down a different road exploring different aspects of letting love back in. Together, the songs create a small-town world of love and loss - the kind of places that never really let go of their memories.

The recording process itself became a defining moment in Bronson's journey. "Hearing J.P sing harmony on Norwood for the first time was a moment I'm not sure I'll ever top," she shares. The organic approach - Bronson laying down her vocals and guitar parts while Cormier built the instrumentation around them - resulted in an honest, intimate record that honors the songs' original essence while elevating them with nuanced production. Each track maintains the story-forward authenticity that has become Bronson's signature, rooted in the kind of lived experience that connects with audiences on a deeply human level.

Over the past three years, Bronson has honed her craft performing alongside her father and fellow entertainer Danny Bronson. The duo has connected with audiences at local venues, jamborees, and headline performances including the Millbrook Fall Festival, building a reputation for intimate, story-forward shows. Her work has garnered attention from YourTV, where she appeared on Making Music and The Skinny to discuss her music and creative process. With a growing regional presence and a commitment to authentic songwriting, Bronson is establishing herself as an emerging voice in the Canadian country-folk scene, equally at home on small stages and festival lineups.

Bronson's songwriting carries additional significance as she draws from relationships and experiences that lend her work a distinct sense of perspective and offers authentic LGBTQ+ representation to the country-folk genre. Her approach to storytelling is universal in its emotional resonance while remaining deeply personal and true to her lived experience. This authenticity extends beyond subject matter - it's woven into every aspect of her artistry, from the vulnerability in her vocal delivery to the careful attention she pays to each lyrical detail. The songs on ‘Highway 28’ invite listeners into a world where honesty and heart create the kind of connection that transcends genre boundaries.

With "Highway 28" and "Norwood" paving the way, Bronson is building a body of work that celebrates the kind of songs that bring people together. Whether on stage or in the writing room, she continues to grow her craft and share her journey - one song, one story, and one listener at a time. The full album ‘Highway 28’ promises to be a defining statement from an artist who captures the quiet beauty and raw honesty of life in small towns, weaving heartfelt stories that resonate long after they're heard.

Music MInute - Laurie Berkner: Cinco Canciones En Español

 ¡Bienvenidos, niños y familias! On March 20, 2026, beloved children's musician Laurie Berkner will release Cinco Canciones En Español, an EP of Spanish language versions of some of her most popular songs.

Whether kids and parents are native speakers or language learners, they’ll love joining Laurie and her band on “Esperando El Elevador” (“Waiting For The Elevator”), “Mi Conejito Brinca” (“My Bunny Goes Hop”), “A-B-C En Español (The Spanish Alphabet Song)", “Somos Los Dinosaurios” (“We Are The Dinosaurs”), and  “Escucha Los Sonidos” (“Listen To The Sounds”).

“I'm thrilled to be releasing my first EP of original songs, sung entirely in Spanish!" says Laurie Berkner. “It's so important to me to be able to reach as many kids as I can with my music, and of course, translating them into Spanish is another great way to connect with even more kids and families. I hope that between marching and roaring, learning the Spanish alphabet, or just listening to their own heartbeats, each child who listens finds something in these songs to connect with, and something to learn.”

Cinco Canciones En Español will be available digitally on iTunes and Amazon Digital, and on Laurie's website HERE.

ABOUT LAURIE BERKNER:
Recognized as “the queen of kids’ music” by People magazine, Laurie Berkner is a singer, songwriter, lyricist, author, and founder of Two Tomatoes Records, LLC. With more than 1.7 billion total streams, an average of more than 22 million monthly streams, more than 578 million YouTube channel views, and millions of albums, songs, and DVDs sold, Laurie’s songs have become beloved classics for children worldwide.

Laurie has authored several picture books based on her songs and has created two Laurie Berkner’s Song and Story Kitchen series with Audible Studios, who released them as 10-chapter audio books through the Audible Originals brand. She has written the music and lyrics for three children’s musicals originally produced Off-Broadway by New York City Children’s Theater and now presented regionally. Laurie has performed at Macy's Thanksgiving Day Parade, Lincoln Center, Carnegie Hall, and the White House, among many other prestigious venues. She is prominently featured in the children's music documentary, Happy and You Know It, directed by Penny Lane, which debuted in December 2025 on HBO and is available to stream on HBO Max.

What sets Laurie apart? She displays an instinctive understanding of children’s natural rhythms and energy, which keeps kids enraptured and brings parents and caregivers happily along for the ride. Laurie finds inspiration in her audience.  “I want to create songs that matter for children,” she says.  “I was singing once and saw a four-year-old girl shut her eyes and start swaying to the music.  I thought, ‘That’s the reason I got into music.’  It keeps me wanting to do more.”

Laurie Berkner Performance Highlights February - August 2026
Feb. 21 - Fort Lauderdale, FL - The Parker
Feb. 22 - Atlanta, GA - Atlanta Symphony Hall
March 22 - Princeton, NJ - McCarter Theatre Center
March 28 - Rutland, VT - Paramount Theatre VT
March 29 - Albany, NY - The Egg
April 11 - East Greenwich, RI - Greenwich Odeum
April 12 - Beverly, MA - The Cabot
April 25 - San Antonio, TX - Charlene McCombs Empire Theatre
April 26 - Dallas, TX - Majestic Theatre
May 3 - Peekskill, NY - Paramount Hudson Valley
May 16 - San Francisco, CA - Palace of Fine Arts
May 17 - Los Angeles, CA - The Autry in Griffith Park
June 13 - Columbia, SC - Koger Center for the Arts
July 11 - Toronto, ON - Queen Elizabeth Theatre
July 12 - Detroit, MI - Royal Oak Music Theatre
Aug. 2 - Bloomington, IL - Bloomington Center for the Performing Arts
Aug. 23 - Boulder, CO - Boulder Theater

Music Minute - Blake Whiten: Break Me

 

Today, 21-year-old South Carolina native Blake Whiten returns with an anthem for anyone who's answered that late-night call from an ex with “Break Me,” out now via Enchntmnt / Warner Records. Listen HERE and watch HERE. The slow-burning single embraces the messy truth of, as Whiten puts it, trying “to put an old flame out with gasoline,” and arrives just before he makes his debut on the Grand Ole Opry stage on Valentine's Day.
 
“At the time, I really wanted to write the hardest, saddest breakup song,” shares Whiten. “Something that feels like knowing better, but still asking that person to come back and wreck your life just one more time. I think that feeling got across with this one. You can feel the sadness in this song, and if Valentine's Day isn't exactly your holiday this year, this one's for you.”
 
 
After stepping into the coveted circle, Whiten hits the road on Bailey Zimmerman's Different Night Same Rodeo arena tour, kicking off February 19 in Estero, Fla. After hitting some of North America's largest fairs and festivals this summer, he'll embark on Morgan Wallen's Still The Problem stadium tour, with stops at Michigan Stadium in Ann Arbor, Mich. and Lincoln Financial Field in Philadelphia, Pa. 
 
Tickets and additional information HERE
 
With such grit and gravitas, it's no wonder Whiten was tapped as Pandora's 2026 Country Artist to Watch, joining recognition from Country Now for “Country Next: 10 Artists To Watch In 2026,” stating he's “making waves as one of country music's brightest rising stars and helping shape the next generation of the genre.” He's been steadily unveiling that vision single by single — most recently with Night N' Day,” an ode to opposites attracting with a sound that'd be right at home around a campfire or in an arena. 
 
Before that came not only Whiten's down-bad anthem Hard to Break,” but also the release of the full-band version of Rollin' Stone.” Across 12 months of momentum, that slow-burn hit truly caught fire, blazing its way onto SiriusXM's The Highway as well as marquee playlists like Spotify's Hot Country and Apple Music's Country Risers. Since its debut, the song has racked in over 94 million global streams and fueled Whiten's headlining Rollin' Stone Tour.
 
Whiten only announced his signing to Warner Records in June with the release of Made for Goodbyes,” which All Country News praised as “a gut-wrenching, emotionally scorched ballad that wastes no time proving why Nashville's watching him closely.” He was also selected as one of “10 Country and Americana Artists You Need to Know” by Holler, who called Whiten's sound “a distinctly southern blend of smoky country rock with just enough mainstream country production touches for it to perfectly complement any contemporaries.”
 
After learning guitar from his dad, Whiten built a loyal following by uploading covers of current hits and classics, racking in over 9M TikTok views and 40K creates. Whiten then turned his attention to original music and found immediate success with “Rollin' Stone” and Breakin' My Heart.” He also co-wrote Zimmerman's 2024 single Holding On before rolling into 2025 with the arrival of his hometown-themed Six Mile EP and the single Carolina.” 
 
Whiten has since appeared at CMA Fest and in support of acts like Arkansas country riser Waylon Wyatt, Texas outfit Whiskey Myers and Nashville singer-songwriter Vincent Mason. As the sharp-edged storyteller enters his next chapter, Whiten continues to scale quickly — without softening the edge that got him here.
 
FOLLOW BLAKE WHITEN:
 
Blake Whiten Live Dates:
Feb. 19, 2026 in Estero, Fla. at Hertz Arena %
Feb. 21, 2026 in Athens, Ga. at Akins Ford Arena %
Feb. 26, 2026 in Greenville, S.C. at Bon Secours Wellness Arena %
Feb. 27, 2026 in Knoxville, Tenn. at Thompson-Boling Arena at Food City Center %
Feb. 28, 2026 in Pikeville, Ky. at Appalachian Wireless Arena %
March 5, 2026 in Boston, Mass. at TD Garden %
March 7, 2026 in Statesboro, Ga. at GATA Jam #
March 12, 2026 in Grand Rapids, Mich. at Van Andel Arena %
March 13, 2026 in Moline, Ill. at Vibrant Arena at The MARK %
March 14, 2026 in Evansville, Ind. at Ford Center %
March 27, 2026 in Orange Beach, Ala. at The Wharf Amphitheater %
April 2, 2026 in Fort Worth, Texas at Dickies Arena %
April 3, 2026 in Baton Rouge, La. at Raising Cane's River Center %
April 4, 2026 in Corpus Christi, Texas at Hilliard Center Arena %
April 9, 2026 in Uncasville, Conn. at Mohegan Sun Arena %
April 10, 2026 in Atlantic City, N.J. at Hard Rock Live at Etess Arena %
April 11, 2026 in Pittsburgh, Pa. at Petersen Events Center %
April 16, 2026 in Toledo, Ohio at Huntington Center %
April 17, 2026 in Green Bay, Wis. at Resch Center %
April 18, 2026 in Sioux Falls, S.D. at Denny Sanford Premier Center %
April 25, 2026 in La Porte, Texas at Sylvan Beach Festival #
April 30, 2026 in Huntsville, Ala. at Propst Arena at the Von Braun Center %
May 1, 2026 in Nashville, Tenn. at Ascend Amphitheater %
May 2, 2026 in Nashville, Tenn. at Ascend Amphitheater %
May 8, 2026 in Bowman, S.C. at Fresh Tracks Country Music & Outdoor Festival #
May 9, 2026 in Faison, N.C. at Creekstone Rising Music Festival
June 4, 2026 in Airway Heights, Wash. at BECU Live at Northern Quest %
June 5, 2026 in Nampa, Idaho at Ford Idaho Center Amphitheater %
June 6, 2026 in Bend, Ore. at Hayden Homes Amphitheater %
June 10, 2026 in Abbotsford, B.C. at Abbotsford Centre %
June 11, 2026 in Kelowna, B.C. at Prospera Place %
June 13, 2026 in Edmonton, Alta. at Rogers Place %
June 18, 2026 in Toronto, Ontario at Budweiser Stage %
June 19, 2026 in London, Ontario at Canada Life Place %
June 20, 2026 in Ottawa, Ontario at Canadian Tire Centre %
July 11, 2026 in Chicago, Ill. at Windy City Smokeout #
July 24, 2026 in Ann Arbor, Mich. at Michigan Stadium !
July 25, 2026 in Ann Arbor, Mich. at Michigan Stadium !
July 31, 2026 in Philadelphia, Pa. at Lincoln Financial Field !
Aug. 1, 2026 in Philadelphia, Pa. at Lincoln Financial Field !
Aug. 6, 2026 in Sikeston, Mo. at Sikeston Jaycee Bootheel Rodeo #
Aug. 8, 2026 in Oshkosh, Wis. at XRoads41 2026 #
 
# festival
% with Bailey Zimmerman
! with Morgan Wallen
 

 
ABOUT BLAKE WHITEN:
Blake Whiten often finds inspiration from his upbringing. Born in Six Mile, South Carolina, where the population hovers below 800 people, the 21-year-old singer-songwriter writes what he knows. His passion for Country music is evident throughout his descriptive storytelling and the country cover songs he's shared online. Many of those videos have since gone viral. After his June 2024 cover of Morgan Wallen's “I Guess” amassed 9 million views on TikTok, managers, record labels and publishers came calling. Within 24 hours, he was on a flight to Music City. A 2024 cut with Bailey Zimmerman (“Holding On”) also put him on the map as a songwriter. All the while, Whiten's solo writes continued to pick up steam. His poignant debut single “Breakin' My Heart” and massive follow-up, “Rollin' Stone” (31 million+ cumulative streams since its October 2024 release), highlight his prowess as a songwriter. Both tracks, penned alone, are featured on his independently released 2025 debut EP, Six Mile. While the six-track EP introduces Whiten as a skilled singer-songwriter wise beyond his years, his new music sets the stage for the country newcomer's undeniable rise to stardom. Whether it's his ear-grabbing covers or his unique original songs, listeners and music industry executives are taking notice. Whiten hopes his music impacts listeners. Nearly six years after posting his first cover and tens of millions of views later, Whiten is one step closer.